What is a lightroom catalog?

Have you ever had one of those moments where you learn a bit of information and right in that instant it occurs to you that you are the ONLY person who was not aware of whatever it is that you just learned? The whole world was just humming along in full knowledge of (_____) and here you were completely in the dark the whole time? 

I have had a *cough* few of those moments in my life and I can never decide between feeling excited that I just learned something new or totally embarrassed that everyone already seemed to know and I am just becoming enlightened. 

The subject of the lightroom catalog is one of those "moments" for me. Here I was, just riding along smoothly using Lightroom (for probably a little over a year) and the topic of the catalog and how it worked never even crossed my field of vision. I don't remember exactly what it was that caused it to blink in front of my eyes in a way that made me stop and think, "wait a minute...what was that again? A catalog? How does that work? What does that mean?" But eventually it did and then I finally figured out the joke that everyone else was already in on. 

And I don't mean to say that the Lightroom catalog is a joke, but...you get what I mean right? 

So if you are just coming across this post new in your journey to learn what a Lightroom catalog actually IS and how it works...don't worry, you are not alone. ;-) 

How do I organize my lightroom catalog? | Cinnamon Wolfe Photography | North New Jersey Wedding Photographer

What is a Lightroom catalog?

One of the most confusing things to get your head around when starting to use Lightroom is the fact that your photos don't actually sit "IN" the program itself. I hear people describe it all the time in language that suggests this confusion:

  • "I put my photos in Lightroom so I can delete them from my hard drive right?"
  • "Lightroom can't find my photos, but i'm confused because I put them in there?"
  • "I already put my photos in Lightroom so why would it matter if I moved the RAW files from my hard drive to an external? "

The best way I know to describe how Lightroom actually works is kind of like trace paper. The program sits on top of your photos and makes changes rather than altering the original files themselves. 

Essentially, what you are doing when you are "importing" photos "into" Lightroom is that you are telling the Lightroom catalog where the images are living on your computer, then any changes, edits, tags, crops etc...that you make to those photos in the program are stored in the catalog. Its basically a catalog of changes to the particular photos you have pointed to. 

Where do I find the catalog?

When you originally installed Lightroom, it likely took you through the process of creating your first catalog in order to get started. You probably chose the location then, but you can still find out where it is by clicking on Lightroom/Catalog Settings. From there you can see the location. 

Why do I care about the catalog?

Size

The main reason you care about the catalog is because if you continue using the same catalog and it gets bigger and bigger and BIGGER, eventually (as with most things computer-ish and technical) it will start to clog and get laggy. 

You can approach your Lightroom Catalogs a number of different ways. I know some photographers who create new catalogs for every single client or wedding. I know some who create a new catalog once they reach a certain number of images in the catalog. Some organize by year or month etc... 

I have landed on an organization system that involves creating a new catalog once a year. I like the ability to be able to access multiple shoots or sessions all in the same place without the worry that the catalog will become too big in size. 

Smart Previews

Another brilliant addition to the catalog (I believe it was with the upgrade to LR4) was Smart Previews. 

Even if you don't generate smart previews upon import, LR has to create a sort of preview in the system for you to actually see what is happening to your image. Since the file isn't actually "IN" LR, when you edit the image, you have to be editing "something" and that "something" is the preview that was created upon import. 

With Smart Previews though, LR is storing even MORE information in the catalog itself about the image which accomplishes one VERY important thing. The RAW image itself does not have to be "active" on the computer you are working on. 

Now that is kind of a confusing concept, so let me help break it down. Normally when working in LR, you have "imported" or "pointed to" your images that you want to edit. Lightroom would keep "looking at " or referencing that image while you are working on it. If somehow the system becomes "disconnected" to that image (the file gets deleted or you unplug the drive the image is sitting on) LR would kind of freak out and you wouldn't be able to edit that image any longer. 

With Smart Previews however, LR is building a more extensive and detailed preview upon import so you are still able to edit and work on the image even if its not plugged in or associated with the current computer you are working on. 

This is HUGE because it allows you to work on editing images on different computers or it allows you to unplug hard drives from laptops so you can edit while sitting on the couch (<---and who doesn't want to do that?!?!) 

Find out more about this in my post on Editing the same photos on two different computers. 

And for more information about ALL of this, check out the video below! 

Easy system for off camera flash

Today we are continuing my series on Off Camera Flash for beginners. If you missed the first two posts in the series check them out!

Part 1  //  Part 2

In this post we are going to talk about what to actually buy for your OCF system. When I first started looking into OCF and speed lights I was INSTANTLY overwhelmed and confused with all of the different options and terminology associated with everything. I couldn't distinguish between a speed light and a strobe and a trigger and a pocket wizard and a slave and a master (<---what the heck?!?!) 

I kept putting everything off because I just didn't want to deal with it all. 

But then I was going to shoot my first wedding and I KNEW I needed to be prepared. So I dug in, did my homework and figured out a system that worked for me! I've made a few tweaks since I first started but now I am so happy with the system that I use and in all honestly, the investment is minimal for what you end up getting! 

A simple and inexpensive OCF system for beginners

First thing to mention...if any of the terminology I use confuses you, go back and reference Part 1 in this series to brush up on the lingo. 

Second thing to mention...my set up is mainly for wedding photography, but the system I describe could be used for multiple things. The hardest thing to get your head around is how do you set off (trigger) the flash when its off of your camera? And also...if you also have a light also ON your camera...how does that all work together? 

Let me 'splain. (<----10points if you get that reference) ;-) 

What I use

Currently I use:

To make this as simple as possible since this is a beginner tutorial, I want us all to pretend that I actually have FOUR 560iv's instead of a mix between two different types of flashes. In an ideal scenario, that is what I would have, but I had already purchased the 560iii's before the 560iv came out, so I'm just making what I have work. But if you were to buy anything after reading this tutorial,, I would absolutely recommend you buy TWO 560iv's (or three if you think you need two off camera) and one 560TX. 

Ok so now that we have that out of the way....let me talk a little bit about how all of this works. 

These flashes all have built in transmitters to they can talk to each other without the need of additional triggers. This is SUPER awesome because it eliminates the need to attach other things (pocket wizards, radio poppers etc...) onto your camera and/or the flash on its stand. The flash units will simply talk to each other as is, which just make everything that much simpler. 

So you can have a flash on your camera and another on a light stand across the room, and you can control that flash that is far away (change the amount of light it emits or even turn it off all together) from the flash that is on your camera in your hands. 

If you don't need or want to have a flash on your camera, the 560TX will also control any of the flashes you have on stands around the room. 

In order to make the most sense of this, lets look at a couple of different scenarios. 

Scenario 1- The Wedding Reception 

In this situation, this is my normal set up:

  • Flash on camera that I use for bounce light
  • Two flashes on stands on either side of the dance floor pointed at the dance floor

I can set all of the flashes on the same channel so they will talk to each other and when I click my shutter all three of them will fire. 

I can change the light output for the flashes around the dance floor from my flash or turn them off altogether if I end up not wanting them on for a few shots. 

Scenario 2 - The Dramatic Shot

Lets say I wanted to take my couple outdoors in the evening during the reception to do a more dramatic night time shot. I want to put them in front of a large tree and light up the tree a little bit as well as light the couple from the left hand side. 

I would put the 560TX on my camera, put one flash on a stand and diffuse it with a large umbrella and put another flash on the ground behind the couple pointing up at the tree. Now I can change the flash output settings for the two off camera flashes from the 560TX that is on my camera. I will underexpose the background and make sure my shutter speed is lower than 160 and shoot everything in manual in order to get desired exposure on the couple with the slight backlight of the light on the tree. 

In this first video, I talk a bit about the system that I use along with different types of speedlights I use and the one trigger that controls everything! 

In the below video I go over the following:

  • How to change the channel on a 560TX
  • How to change the channel on a 560IV (the same as changing the channel on a 560III)
  • How to change the group on a 560IV
  • How to change the 560IV from transmitting to receiving mode

You would want to use a setup like this (TX on camera, 560IV off camera) when you don't actually need a flash on your camera as well. 

 
 

In the below video I go over the following:

  • How to change the channel on a 560IV and 560III
  • How to change the 560IV to be transmitter
  • How to change the 560III to receiver
  • How to ensure the groups are the same on both flash units
  • How to change the settings of an off camera flash from the flash on your camera 

This would be the set up you would likely want to use during a wedding reception when you need both an on and off camera flash. 

 
 

I know it doesn't look like flash "C" went off in the video, but I promise it did! LOL. 

I hope this is helpful to you especially if you are new to the world of OCF and are considering the Yongnuo brand of flash equipment! As always, if you have ANY questions at all...feel free to leave a comment or shoot me an email!